Year in Review (2013)

Don’t know that many people (at least in Cyprus anyway), who will remember 2013 as a stellar year. From my point of view it was pretty horrible all around. As I glimpse back over the last 12 months, my only escape from the depressing events that occurred (not just economy-wise, but also at a personal level), was my love for photography.

For this last blog post of 2013, I won’t bother you with the details of how well I did against my New Year resolutions. Suffice to say that I succeeded to a great extent, somewhat failing at my goal of further exploring Cyprus. Ironically, the image below attests to just that – the ease with which one can find great photo opportunities when travelling abroad (in this case Venice) vs. within their own home country. Something that definitely needs to be addressed next year!

I want to wish everyone a Happy and Prosperous New Year 2014, with happiness and health to you and your loved ones. See you in January!

Venice Boat  - 1920c

Shot with my Canon 60D and Canon 24-70mm F2.8L lens at ISO 400, F8.0 and 1/80sec.

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Water droplets

I love shooting still life pictures. The whole process is so much fun – from the creative thought, to setting up your equipment the right way, to experimenting over and over, to editing and making the final touches on the image…and all of that from the comfort of your own home.

My first successful still life picture was that of the Paint Splash which I had taken last April. Shortly there after, I decided to do a similar experiment, only this time attempt to freeze a water drop as it falls into a pool of water. Water drop pictures are in abundance – perhaps one might argue that this is by far the most popular still life photograph on the internet. Skipping therefore a big chunk of the creative thought process, I proceeded to set up my equipment out on my balcony. The ingredients for this shoot, were simply 2 tripods (one to hold the camera and one to hold a zip lock bag full of water), my off-camera flash, a black paint dish, a few coloured sheets of cardboard and my trusty camera remote trigger (see photo link of my entire setup).

The cardboard sheets play an important role in the whole recipe. The off-camera flash is aimed directly at the cardboard, so the sheet’s colour will dictate the colour cast of the entire image. For this experiment, I tried with red, lime green and blue, but in my opinion the blue one came out best.

Water drop 1920cShot with my Canon 60D and Canon 100mm F2.8 prime macro lens at ISO 100, F11, 1/250 sec.