Window into Turkey

The media now speculate that we are closer to a solution of the Cyprus problem than we’ve ever been before. I may not necessarily agree, but I can’t help but wonder how our lives would change if the island is reunified – both Greek-Cypriots and Turkish-Cypriots living together in harmony. Being a post-war child, I have never experienced what that was once like. In fact, from childhood leading into my army years, I was taught to hate Turks and everything they stood for. It is clear to me now however, that if there is any hope for reunifying the island, feelings from whatever happened in the past, must be put aside.

For my summer holidays this year, I decided to spend 9 days visiting Constantinople. Istanbul (not commonly known that this is Greek for “Εις την Πόλη”, or “To the City”), is a remarkable city from a historical perspective. Remnants of the Byzantine era and the Greek influence are abundant in the vast majority of the city’s historical landmarks. What really impressed me however, is the church of Hagia Sophia itself, a former Christian patriarchal church, turned into an Islamic mosque and now a museum visited by over 3 million people every year. Looking around from the inside, one can’t help but notice the various Christian and Islamic religious symbols all blended together. The Christian mosaics on the walls which are now slowly being restored, standing side-by-side to  the Islamic mihrab and minbar that were later added. That made me wonder whether that was simply an analogy of life in the unified Cyprus that some of us envision. Needless to say, I came back with more questions than I had before.

This is picture of the Blue Mosque as seen from a window on the second floor of Hagia Sophia.

Window into Turkey - 1920c

Shot handheld with my Canon 60D and Sigma 18-200mm F3.5-6.3 OS lens, at ISO 200, F7.1 at 1/1250 sec and bracketed at -2/0/+2.

Summer holidays

Summer is in full swing. Time to relax by the beach, swim in the refreshing turquoise Mediterranean waters and enjoy fresh fish under the moonlight. And what better place to enjoy all these, than the beautiful Greek Islands.

Alas, I have different plans this year. Given that I live on an island and I am thus spoiled for choice when it comes to which sunbed I will be lying flat on every weekend, I have decided to spend my summer vacation this year in a more educational manner. I won’t say more; suffice to say however that my camera will get quite a bit of use in the next couple of weeks.

Happy summer holidays everyone!

Pollonia Marina - 1920cPhoto taken in the small village of Pollonia on Milos island. Shot with my tripod mounted Canon 60D and my Sigma 10-20mm F4-5.6 DC HSM lens, at ISO 200, F8, at 6 secs.

Milos Seascapes

Last week I was fortunate to visit the Greek island of Milos for a mini-vacation, where I got the chance to drive around and sample everything this beautiful island has to offer. Being part of the Cyclades, Milos was one of the many Aegean islands formed from the catastrophic eruption of the volcano in Santorini. Its volcanic nature therefore, makes it the home of stunning multi-coloured rock formations and beautiful seascapes.

On the first day of our arrival, we ran into some bad weather. The photographic instinct in me however, saw an excellent opportunity to head down to the beach for a couple of shots. The picture below is from the beach of Sarakiniko, on the north shore of the island. As I was exploring the lunar-like landscape of this particular beach for a photo opportunity, I accidentally stumbled onto this amazing sight. I immediately set up my tripod and screwed on my 10-stop ND filter, in an effort to slow down my shutter speed and capture the motion of both the waves and clouds. The strong winds made the task harder, as I had to firmly hold down the tripod to avoid any camera shake.

Sarakiniko Rock - 1920c

Shot with my tripod mounted Canon 60D and my Sigma 10-20mm F4-5.6 DC HSM lens, at ISO 100, F10, at 6 secs, with a B+W ND3.0 filter.

Monument Valley

Right on the border between Arizona and Utah, lies a vast region with a plethora of sandstone rock formations, known as Monument Valley. The scenery is easily identifiable – the movie set for many Hollywood western productions and blockbusters such as Back to the Future III and Forrest Gump. Today, this region is inhabited in majority by the Navajo Native Indian tribe. This tribe made history in World War II, as the Navajo language (due to its uniqueness and complexity) was adopted for radio communication by the US forces.

The Valley was the first overnight stay on our 2-week US roadtrip. Naively, we did not make any hotel reservations, thinking perhaps that there would have been plenty of last-minute accommodation available in the area. Much to our surprise this wasn’t the case; in fact, we realised at 11pm that not a single room was available within a 2-hour driving radius! After many failed attempts talking to Booking.com operators and researching online, the front-office manager at the Hampton Inn felt sorry for us and suggested that a friend of hers might have a room for the night at her B&B home.

In a scene that resembled nothing less than a move thriller, we drove to the Navajo reservation camp at midnight, in the middle of a rain storm. Looking back through the rear-view mirror, I could see the sign of worry drawn on everyone’s faces, as we drove in muddy roads through a bunch of old trailers and makeshift shacks.

Worry turned quickly into a smile and a sigh of relief, once we were greeted by a friendly Navajo lady, who welcomed us in her pyjamas to her recently renovated home. After giving us a short tour, she mentioned that she had to leave early in the morning to go to work. Worried not to wake us up, she politely asked us to leave the money on her kitchen table and lock the door behind us on our way out. She had known us for less than a few minutes, yet she was kind and courteous enough to treat us like family – a trait that one doesn’t come by often and a gesture that I will never forget.

Monument Valley - 1920c

Shot with my tripod mounted Canon 60D and my Sigma 10-20mm F4-5.6 DC HSM lens, at ISO 100, F8.0, at 1.6 sec, exposed at (-2/0/+2).

Vanishing Act

I am not a morning person. In fact, I am the kind of guy who looks forward to that extra hour of sleep on the weekends and certainly dreads waking up in the wee hours when forced to take a morning flight. This poses a bit of a problem when it comes to photography. Not only do I miss out on the opportunity to take a decent picture at sunrise, but also miss out on the only time of day when one can avoid crowds at a famous tourist attraction.

The former, I can’t really do much about. It is no coincidence that I take most of my pictures at sunset. For the latter however, there is a surprisingly simple solution. The key to this David Blaine-style trick is the camera’s shutter speed. Slow the shutter speed enough (upwards of 15-20 seconds) and anything that is moving within the frame, will not get recorded on the camera’s sensor. It is that easy!

Here is a picture of the famous Louvre Museum in Paris. It was a busy Wednesday afternoon at the museum and swarms of people were wondering around the plaza near the famous glass pyramid entrance. Eager to take a picture, I decided to mount my camera on a tripod and closed my aperture down to F14. This gave me a meter reading of 25 secs – long enough to make everyone not standing still, disappear!

Louvre - 1920c

Shot with my tripod mounted Canon 60D and my Sigma 10-20mm F4-5.6 DC HSM lens, at ISO 100, F14, at 25 sec.

La tour Eiffel (Part 2)

Below is the second picture taken of the Eiffel tower – this one from a lower vantage point and in black & white. From a composition perspective, I tried to center the tower dead in the middle, to give the picture a bit of balance and symmetry.

Eiffel Tower 2 - 1920c

Shot handheld with my Canon 60D and my Sigma 10-20mm F4-5.6 DC HSM lens, at ISO 800, F6.3, at 1/30 sec.

La tour Eiffel (Part 1)

When traveling abroad I often find myself in a bit of a predicament. How do I go about taking a picture of a city’s iconic landmark, in a way that’s different from the myriads of other pictures taken before me?

To me, this is all about creativity and the ability to play around with composition. I find that there is no recipe for success, other than just work the scene, find a unique perspective and just simply experiment. The rules of composition i.e. patterns, leading lines, rule of thirds can be your friends, but breaking these rules might sometimes help as well. Silhouettes, reflections, framing with trees, the possibilities are endless.

Here is my attempt from my trip to Paris two weeks ago. I arrived at the Eiffel Tower right before sunset and stayed for a short time until the twilight hour. I’ve managed to capture two decent shots, one of which is the below. I will be posting my second shot in a couple of weeks. It’s not as unique as I was hoping for, but given the short window of opportunity I had, I am pretty happy with the results.

Eiffel - 1920c

 

Shot with my tripod mounted Canon 60D and my Sigma 10-20mm F4-5.6 DC HSM lens, at ISO 100, F8, at 3.2 secs (exposed at -2/0/+2).

Flower Photography

Given that we are already 4 weeks into 2015, my guess is that the tradition of exchanging new year pleasantries is now well over. Nonetheless, since this is my first blog post for the year, let me apologize for my tardiness and wish you all a belated happy and prosperous new year!

Last October, I found myself in Singapore on a week-long business trip. One afternoon when I had some free time, I decided to take a stroll with my camera around the Bayfront area, home of the famous Marina Bay Sands Hotel. Just behind the hotel, are the Gardens by the Bay – a park spanning about 1 million sqm, that houses two large flower conservatories showcasing plants from all over the world. This was an excellent opportunity for me to give flower photography a try, in a perfectly controlled environment where the weather element was not going to be a factor that I had to worry about.

Flower photography is probably the most explored area of amateur photography and an area where the results are almost never in touch with what the photographer actually tries to capture. This was definitely not my first attempt at taking flower pictures, but simply the first time I managed to get a decent result that was worth sharing on my blog.

Singapore Flowers2 - 1920c

Shot handheld with my Canon 60D and Canon 24-70 F2.8L lens at ISO 200, F4.0 @ 1/60sec.

Chrysomilou Inn

For this blog post, I’ve decided to take a break from my US road trip picture series and talk about a little side project that I’ve started back in October.

If you know me personally or you’ve read some of my older posts, you’ll know that my family’s origins are from the village of Kalopanagiotis, in the heart of the Marathasa Valley. On the off-chance that you have visited this village in recent years, you would have witnessed its transformation into a hotspot for agrotourism. While still maintaining its traditional architecture with its cobbled streets and footpaths, the village is now home to a number of hostels, trendy coffee shops and restaurants and an island-famous spa hotel.

My family claims to have years of experience in the hospitality business. My great-grandfather specifically, was the proud owner of an Inn back in the early 1900s, providing food and shelter to travellers riding through the village on their mules and camels, on their on their way to the northern regions of Cyprus. Now, almost a century later and as a tribute to my family’s origins, my parents have decided to restore this Inn (which later on became my grandparents’ home) into a trendy agrotourism apartment.

The restoration has taken almost a year and we are now at the stage of putting the final touches. Admittedly, my contribution to this project has been minimal. As the family’s designated photographer however, I have been tasked to take a few pictures, so I can decorate the walls and post on our soon-to-be-published website. As a result, in late October I found myself in Kalopanagiotis, camera in hand, on a 3-hour shooting excursion. This picture is one of 5-6 picture frames that will soon be printed on canvas and hanged in the apartment. These traditional door handles are found on almost every door around the village and are truly representative of the village’s traditional character.

Door Handle Spider 1920

Shot handheld with my Canon 60D and Canon 24-70 F2.8L lens at ISO 800, F2.8 @ 1/25sec.

Animals of Yellowstone

Nature photography has always intrigued me. There is something liberating about being alone with your camera outdoors, capturing birds and animals in their natural habitat. When capturing wild animals however, it is best to keep your distance – both for your safety and theirs. It is therefore not surprising that pro photographers specializing in this type of photography, choose to carry long telephoto lenses that look nothing short of giant bazookas.

Purchasing a 500mm+ lens is fairly low on my Amazon wish list, as a fast F2.8 one usually retails upwards of €3000. Renting one for my road trip was also not a convenient option, so I decided to take along my workhorse lens – the Sigma 18-200 F3.5-6.3 OS. Paired with the crop sensor on my Canon 60D, I effectively had a 320mm lens in my hands. Not the fastest of all lenses but with luck on my side, my aim was to capture a decent picture of a wild animal while touring Yellowstone Park.

Luck was indeed on my side, as while we were driving around the park on our second day there, a wild Bull Elk decided to cross the road. Swarms of tourists decided to abandon their cars for a chance to take a snapshot of this beautiful animal. The only one crazy enough however to chase it deep into the forest was yours truly! Yep, I completely defied the little voice in me that kept screaming “You Are Crazy” and decided to follow the Elk into the bushes, keeping a safe distance so as not to scare it away. At some point the Elk must have noticed me and looked back to see who was following him. Luckily I was there, finger on the trigger and quickly managed to capture the shot below. An exhilarating experience, one that I definitely will not forget!

Bull Elk - 1920c

Shot handheld with my Canon 60D and Sigma 18-200mm F3.5-6.3 OS lens, at ISO 800, F7.1 at 1/500 sec.