After a successful attempt at photographing an unplugged light bulb, I decided that my model was destined for bigger and better things. In this new photo-shoot (a journey of no return), I placed the bulb in a zip lock bag, then used a hammer to break the outer part, crossing my fingers that the filament would remain intact.
I then hooked up the bulb onto the electrical rig that I had built for my previous experiment, secured my camera on the tripod, and dialed in the continuous shooting mode. With one hand on the electrical switch and the other on my remote cable release, I turned on the power and fired 5-6 continuous shots. The result is the picture below – the final grande portrait and a testament of my subject’s short-lived modeling career.
Shot with my Canon 60D and Canon 24-70 F2.8L lens, manual settings at ISO 200, F5.6, at 1/1000 sec.
Staying in Nicosia on a blistering hot Saturday morning, is definitely quite painful. With nothing else to do, I decided to stay in, put the A/C on max and keep myself entertained with another photography project. This weekend’s inspiration comes from another one of my favourite photographers/tutors – Gavin Hoey. Gavin has an excellent website with lots of tips and tricks on photography, but unlike many others, his tutorials apart from teaching you various photography techniques, they take it a step further by teaching you how to best enhance or manipulate these images in Photoshop.
Over the last few months I’ve started learning various post production techniques in both Photoshop and Lightroom. Even though I am a big proponent of getting everything right in camera, there is definitely value in learning how to use these tools, either to overcome the various limitations of cameras e.g. colour saturation, incorrect exposure readings etc, or to simply manipulate images to create some artistic results. After-all, post production has been around as long as cameras, only difference is that in the older days things used to be done in dark rooms instead!
The cool thing about this project, was the fact that I had to put my electrical wiring skills to work, so that I could control the intensity of the bulb using a dimmer switch. After I managed that (see link), I took a picture of the lit bulb, a separate image of the bottom part of the bulb, and then imported everything into Photoshop for some basic manipulation – essentially fit the two together, making the bulb seem as if not wired at all….and here is the result!
Taken with my tripod mounted Canon 60D, 24-70mm F2.8L lens, ISO 100, F8.0 at 1/8 sec.